Наконец-то вышла новая модель полочной акустики от ProAc - Studio 110!
Как я понял это замена ProAc Tablette 2000, которые теперь сняты с производства.
Стоят они 1160 евро, т.к. чуть дороже TABLETTE REFERENCE 8 (1080
евро) и чуть дешевле Studio 100 (1320 евро).
Информации в сети пока мало, вот что удалось нарыть:
Фотография:
Ссылка на официальный сайт ProAc:
Обзор в английском изданием What Hi-Fi за январь 2006:
Технические параметры:
размеры 380mm x 240mm x 203mm.
Bass Driver: New 165mm (61⁄2”) ProAc unit with coated cone, raised spider assembly for greater linearity,
and large shielded magnet assembly.
Tweeter: ProAc 25mm (1”) coated silk dome with special coating and inner damping.
Crossover: HQ network using the finest components with option for bi-wiring/bi-amping and
utilising oxygen free cable.
Nominal Impedance: 8 ohms
Recommended Amplifiers: 15-150 watts
Frequency Response: 33hz-30khz
Sensitivity: 88db
Weight: 9 kgs
Привожу текст обзора из What Hi-Fi:
THE MARKET FOR a pair of quality sub-£1000 standmounts hasn’t been sparkling of late. Sure, there are the usual suspects – Ruark’s Sabre IIIs and Dynaudio’s Audience 52SEs have long been favourites of ours – but nothing special has come along for ages. Up until now that is:
here's ProAc, all set to stir things up with its Studio 110s. We’ve already raved about their big brothers, the floorstanding 140s (in fact we gave them a best-inclass Award), so we were expecting good things. As things turned out, they’re even better than that. Not that our first impressions were wholly positive. The finish and build are decent for the money, but compared to most rivals these boxes look plain. However, put the Studio 110s on something like Partington’s £170 Super Dread noughts, well out into the room with a touch of toe-in, and they’ll shine brighter than just about anything else at this price. There’s no one quality that grabs you first. The sound is just so good in so many areas that you’ll find it difficult to sit back and analyse. And that’s how it should be. These speakers are all about the music. The Studio 110s get out of the way, allowing the rest of the system to do its job unhindered. Take it as read that detail resolution is good, and stereo imaging is pinpoint in the extreme. However, it’s the ProAcs' vivid dynamics and ability to track rhythms that really sets them above the norm. Stravinsky’s The Rite of Spring takes an unbreakable hold through these speakers, as does Kate Bush’s multilayered Aerial. We’d love to go on, but space has beaten us. Let’s leave it at this then: if you want to be entertained, don’t buy another sub-thousand pound standmounter before you hear the ProAc Studio 110s.
FOR: Sparkling dynamics and superb timing; an entertaining presentation.
AGAINST: Don’t look particularly special for the money.
VERDICT: In a suitably capable system these are about as musical as subthousand pound standmounts get.
Как раз собирался купить что-нибудь из полочной акустики ProAc. Надеюсь эта модель действительно удачная...
Как я понял это замена ProAc Tablette 2000, которые теперь сняты с производства.
Стоят они 1160 евро, т.к. чуть дороже TABLETTE REFERENCE 8 (1080
евро) и чуть дешевле Studio 100 (1320 евро).
Информации в сети пока мало, вот что удалось нарыть:
Фотография:
Ссылка на официальный сайт ProAc:
Обзор в английском изданием What Hi-Fi за январь 2006:
Технические параметры:
размеры 380mm x 240mm x 203mm.
Bass Driver: New 165mm (61⁄2”) ProAc unit with coated cone, raised spider assembly for greater linearity,
and large shielded magnet assembly.
Tweeter: ProAc 25mm (1”) coated silk dome with special coating and inner damping.
Crossover: HQ network using the finest components with option for bi-wiring/bi-amping and
utilising oxygen free cable.
Nominal Impedance: 8 ohms
Recommended Amplifiers: 15-150 watts
Frequency Response: 33hz-30khz
Sensitivity: 88db
Weight: 9 kgs
Привожу текст обзора из What Hi-Fi:
THE MARKET FOR a pair of quality sub-£1000 standmounts hasn’t been sparkling of late. Sure, there are the usual suspects – Ruark’s Sabre IIIs and Dynaudio’s Audience 52SEs have long been favourites of ours – but nothing special has come along for ages. Up until now that is:
here's ProAc, all set to stir things up with its Studio 110s. We’ve already raved about their big brothers, the floorstanding 140s (in fact we gave them a best-inclass Award), so we were expecting good things. As things turned out, they’re even better than that. Not that our first impressions were wholly positive. The finish and build are decent for the money, but compared to most rivals these boxes look plain. However, put the Studio 110s on something like Partington’s £170 Super Dread noughts, well out into the room with a touch of toe-in, and they’ll shine brighter than just about anything else at this price. There’s no one quality that grabs you first. The sound is just so good in so many areas that you’ll find it difficult to sit back and analyse. And that’s how it should be. These speakers are all about the music. The Studio 110s get out of the way, allowing the rest of the system to do its job unhindered. Take it as read that detail resolution is good, and stereo imaging is pinpoint in the extreme. However, it’s the ProAcs' vivid dynamics and ability to track rhythms that really sets them above the norm. Stravinsky’s The Rite of Spring takes an unbreakable hold through these speakers, as does Kate Bush’s multilayered Aerial. We’d love to go on, but space has beaten us. Let’s leave it at this then: if you want to be entertained, don’t buy another sub-thousand pound standmounter before you hear the ProAc Studio 110s.
FOR: Sparkling dynamics and superb timing; an entertaining presentation.
AGAINST: Don’t look particularly special for the money.
VERDICT: In a suitably capable system these are about as musical as subthousand pound standmounts get.
Как раз собирался купить что-нибудь из полочной акустики ProAc. Надеюсь эта модель действительно удачная...
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