NEW WAVE

TOM TOM CLUB кстати (сайд проект басистки и барабанщика токинг хедз) не хуже, а в чем то и лучше,показывал ,что они не менее талантливей Бирна ,с Адрианом Белью на гитаре  

Не долбёжка, а фирмОвый звук раннего Ультравох  

"We were trying to increase bass frequencies for the synths, subsonic zooms - we wanted to work like sonic terrorists - to make audiences sick." - John Foxx (с)

Не ваше так не ваше.. Мое дело предложить - ваше отказаться   .  

"The first time I came across Ultravox! was around the time of 'ROckWrok' but it was the b-side (the "dragging you face across concrete") version of "Hiroshima Mon Amour" that realli got me: I'd never heard anything like it in my life: all those waves of howling feedback and screeching violins, all topped off with John Foxx's vocals straddling a line between icy detachment and visious punk sneer. As a punk kid, they were one of the first bands I can remember who had assimilated the energy and vitality of punk into what they did, but, crucially, never sounded like they wanted to be part of any scene. You got the feeling that punk was a liberating experience for them: "OK, we're free to do what we want now-let's use drum machines, synths, let's have huge blocks of feedback." Iain Baker, XFM DJ and Jones keyboardist ©

Мой любимый диск! Сохранился с тех времен на американском Sire.