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Crossfire 1 написал: Очень подробное и корректное описание house sound Грифона на примере Мефисто. С последним не сталкивался, но вот каждый пункт - в точку. Однако, ничего про тембры и обертона. Это все каменная тема в усилении, антипод ламповой подаче. Попросту окрас камня не муссируется так сильно, как ламповый.
Overall, the voice has some hallmarks i admire: - Density/Purity of tone and note: when a single violin soars, you really feel, hear deep into the note and it is truly sonorous into the 'meat' of the note. - Tremendously powerful in a way that is entirely effortless: large scale orchestral to solo voices both seem effortless, unimpeded by dynamic scale, range or peak...and it enables even soaring crashing crescendos to be organic rather than just a stressed extreme of a passage - Incredibly easy way with LOTS of detail. I now have explored many passages of words in choral music which the Mephisto is allowing me to hear without thinking about it...which i strained to understand with the Colosseum let alone some of the above list - Bass. Everyone talks about Gryphon bass...earthquake, foundational...but super fast reflexes. I was surprised about how well it handles electronic music even in comparison with the Colosseum. That combination is FUN...to get a punch in the chest, while also being able to hear that bass note decay with the last bit of organic-like detail. - Full extension incl treble purity. The treble is where the last 15 years have been great at Gryphon. With the birth of the Colosseum, Gyphon's traditionally slightly dark character (which i never minded) became quite illuminated in the treble and high treble but in a way that felt entirely pure...cannot speak with SETs which are renowned for purity...but certainly pure to my ears and in comparison to the above - Ability to really set a realistic soundstage: this is a funny one...until an amp so powerful comes along, the boundaries of the jazz club always seem to come in a bit or collapse slightly. With the Gryphon they not only are very solid boundaries, but they dont waver. That ability to hold the boundary effortlessly creates a lifelike sense of soundstage and realism that i really missed when i had a loaner in recently (an extremely good amp...60 watt class A Sugden) while i had my old Colosseum being demo'd for sale...and before the Mephisto came in.
Мне только непоятна категория purity этого WBF-овца, когда он без конкретики однотакты затрагивает. Это вообще несравнимые категории. Как теплое и мягкое, винил и цифра. |
А я не понимаю, почему не сравнивать лампу и транзистор, винил и цифру
Мы ищем хороший звук, почему от этого не отталкиваться? В этом плане сто раз имхо винил (пока) лучше цифры, а лампа - транзистора